Archives for metalwork

West Dean College Supports Red List For Endangered Crafts in UK

HERITAGE crafts such as making clogs, pianos and blocks for millinery are still produced in Britain – but only just. Recent research by The Heritage Craft Association (HCA) reveals that many of Britain’s traditional craft skills are in decline and in some cases, no longer practised.  The Radcliffe Red List of Endangered Crafts is the title of the new project launched by HCA, supported by the Radcliffe Trust, which endeavours to oversee the viability of heritage craft skills on a regular basis. Their research reveals that the emergence of new technologies and an ageing workforce affect the viability of some craft practices but a lack of affordable workshops, training courses and business skills compromise others.

Heritage Craft Association, West Dean College, heritage crafts, Red ListWest Dean College student, Stacey Hibberd. Photograph courtesy of Christopher Ison

At present, Britain is one of the few countries that have chosen not to back UNESCO’s convention regarding the Safeguarding of Intangible Cultural Heritage which supports craft skills. Greta Bertram, who led the research, has highlighted the need this month for increased government funding said, “For too long we have been bounced between heritage – which means historic buildings and museums – and arts – things that you can put on a shelf and admire.”

Heritage Craft Association, West Dean College, heritage crafts, Red ListWest Dean College student, Francesca Levey. Photograph courtesy of Christopher Ison

West Dean College in Chichester, who support the new Red List proposals have launched a brand new foundation degree in Historic Craft Practice which teaches metalwork, furniture, musical instrument-making and horology. The horology course includes a project for making an 18th century clock.

Heritage Craft Association, West Dean College, heritage crafts, Red ListWest Dean College student, Fons Vogel. Photograph courtesy of Christopher Ison

Apart from teaching crafts practice and tool-making, the course also endeavours to equip students with valuable business skills. Francine Norris, the Director for Education at West Dean College which specialises in conservation and creative arts education and is validated by the University of Sussex, said, “We hope the List will raise awareness of our rich craft heritage and encourage people to consider learning traditional skills many of which are still relevant today.”

by Miranda Charalambous

Front page image: West Dean College horology student. Photograph courtesy of Christopher Ison

 

 

 

 

English Medieval Embroidery Show to Open in London

THE Victoria and Albert Museum presents a rare opportunity to see outstanding examples of English needlework from the 11th and 16th centuries in Opus Anglicanum, Masterpieces of English Medieval Embroidery. A magnificent display of secular and ecclesiastical garments, the exhibition reveals the richness and complexity of these unique textiles and provides a fascinating insight into the skill and craftsmanship of their makers.

Paris, musée de Cluny - musée national du Moyen Âge. CL20367a;CL20367b.Part of a horse trapper probably made for Edward III’s Court (detail) 1330-40. Photograp © RMN –
Grand Palais (Musée de Cluny – Musée National du Moyen Âge) / Frank Raux

One of the most exciting treasures on view is a fragment from Thomas Becket’s cope, a relic which exemplifies the astonishing survival of these finely worked pieces. Apart from embroidery, a display of sculpture, metalwork, manuscripts and painting also bring context to the period.

83-1864 The Syon Cope; embroidered in coloured silks & silver-gilt thread with the Figures of Christ, The Virgin Mary & The Apostles; detail; English (Opus Anglitareum); Early 14th century.The Syon Cope (detail) 1310-1320. Photo © Victoria and Albert Museum, London

by Miranda Charalambous

Opus Anglicanum, Masterpieces of English Medieval Embroidery is curated by Clare Browne, Glyn Davies and consultant curator Prof MA Michael and opens October 1 and runs until  February 5, 2017 at the Victoria and Albert Museum, London.