Archives for pottery

Tate St Ives Cornwall Opens New Gallery Spaces

WEIRD and fantastical sculptures by Aaron Angell, one of Britain’s most radical ceramists are on display at The Studio and The Sea, a sparkling new season of two exhibitions at Tate St Ives in Cornwall which open this March. Both shows precede the transformation of new gallery spaces at Tate St Ives to be launched this autumn. The first show,  That Continuous Thing, charts the emergence of the 20th Century studio potters and the legacy of their influential ceramic-making.

The show takes its name from a quote by Peter Voulkos, an abstract expressionist artist renowned for his innovative use of tools and inspirational pot-throwing demonstrations. Highlights of the show includes work by pioneering artists, Bernard Leach and Shoji Hamada, innovators of the climbing kiln at the St Ives Pottery in the 1920s, experimental work from the ‘70s and ‘80s by Gillian Lowndes and Richard Slee and sculptures by 2016 Turner Prize winner, Anthea Hamilton made at Aaron Angell’s “radical and psychedelic” workshop, Troy Town Pottery, London.

That Continuous Thing: Artist and the Ceramics Studio, 1920 – Today, Tate St Ives, CornwallBernard Leach (1887-1979), Spherical Vase c.1927, reduced stoneware, 14.5 x 14 x 14 cm.
Courtesy of the Tate and The estate of Bernard Leach

The second exhibition displays Sea Paintings by Jessica Warboys, great swathes of sea drenched canvas weathered by the Zennor coast which explore the mystery of the landscape and the artist’s approach to symbolism and form. Apart from these specially commissioned works, Warboys displays her sculptures and films, imaginary narratives that mingle fiction with myth and forgotten histories.

The artists, who works across a range of media, including performance and stained glass, explains, “I am not concerned with how the tableau looks or appears as I make a sea painting, but with the result or record of the process.”

Jessica Warboys, Tate St Ives, CornwallJessica Warboys Sea Painting, Dunwich 2015, 2015, mineral pigment on canvas, 320cm x 500 cm (x 3 parts).
Courtesy the artist and Gaudel de Stampa, Paris

Supporters of the new season at Tate St Ives include the Victoria and Albert Museum, The Great Britain Sasakawa Foundation, The Daiwa Anglo-Japanese Foundation, The Japan Foundation, Idlewild Trust, and  Galerie Gaudel deStampa in Paris.

That Continuous Thing: Artist and the Ceramics Studio, 1920 – Today, Tate St Ives, CornwallAaron Angell, Flower, Bread Knife 2015, Glazed stoneware, 40 x 35 x 26 cm.
Courtesy of the artist, Rob Tufnell, London and Studio Voltaire
London. Photo: Andy Keate

 

by Miranda Charalambous

The Studio and The Sea comprises the exhibitions, That Continuous Thing: Artist and the Ceramics Studio, 1920 – Today and Jessica Warboys which open concurrently from March 31 to September 3, 2017 at Tate St Ives, Porthmeor Beach, St Ives, Cornwall, TR26 1TG

Jessica Warboys’ film, Hill of Dreams was made in collaboration with the Norwegian artist, Morten Norbye Halvorsen and was supported by The Office for Contemporary Art in Norway. The film will be screened by Tate St Ives in March.

Email: visiting.stives@tate.org.uk

Telephone: +44 (0)173 679 6226

Front page image: Jesse Wine, “I think you ought to know, I’m going through a creative stage some people find easy to connect to” 2016, Glazed ceramic, 82 x 123 x 55 cm 2 parts, Courtesy of the artist and  Mary Mary, Glasgow

Cathy Wilkes Wins the Maria Lassnig Prize For 2017

THE Maria Lassnig Foundation in Vienna announces the Scottish artist, Cathy Wilkes as the first winner of the Maria Lassnig Prize for 2017. The inaugural award is named after Maria Lassnig, the Austrian portrait painter renowned for her pioneering theory on body awareness. As Lassnig received recognition only later in life, the Foundation’s inaugural art prize is awarded specifically for the achievements of mid-career artists.

Maria Lassnig Prize, art, Cathy Wilkes, winnerMaria Lassnig, Der Tod und das Madchen Der letzte Tango, 1999, Courtesy of Maria Lassnig Foundation

Cathy Wilkes is an installation artist and painter whose subject matter concerns everyday life and human experience such as motherhood, gender roles and sexuality. These assemblages recall the imagined lives of people connected with the Possil Pottery, a nineteenth century Glaswegian company that produced stoneware goods such as bottles for Tennents brewers. Poised between their time-worn household relics, the artists’ scantily clad folk cower under their tattered rags. Like treasured samplers, Wilkes’s evocative scenarios expose her frayed emotions woven falteringly within another time.

Maria Lassnig Prize, art, Cathy Wilkes, winnerCathy Wilkes, Installation view, LENTOS Kunstmuseum, Linz, 2015, Courtesy of the Artist and The Modern Institute/Toby Webster Ltd, Glasgow. Photograph: Reinhard Haider

Wilkes represented her country at the Venice Biennale in 2005 and was nominated for the Turner Prize in 2008. Since presenting at a survey exhibition at the Tate Liverpool in 2015, Wilkes has exhibited at several solo shows in Chicago, Pittsburgh and Munich. Peter Eleey, MoMA PS1 chief curator explains, “Wilkes’ art enacts an exercise in empathy, exposing deeply felt subjective experiences to reach beyond herself while also insisting upon the fundamentally private nature of art making.”

Maria Lassnig Prize, art, Cathy Wilkes, winnerCathy Wilkes, Installation view, LENTOS Kunstmuseum, Linz, 2015.Courtesy of the Artist and The Modern Institute/Toby Webster Ltd, Glasgow. Photograph: Reinhard Haider

As winner of the Maria Lassnig Prize, she receives 50,000 euros and the opportunity to mount a solo exhibition at the prestigious contemporary art institution, MoMA PS1 in New York. Members of this year’s inaugural Maria Lassnig Prize selection committee included Peter Eleey, MoMA PS1 Chief Curator and Peter Pakesch, Chairman of the Foundation. Other members included the curators Matthias Mühling and Hans Ulrich Obrist, Artistic Director of the Serpentine Gallery, Laura Hoptman, Curator of Painting and Sculpture, The Museum of Modern Art and Sheikha Hoor Al-Quasimi, President of the Sharjah Art Foundation and New York-based artist, Zoe Leonard.

by Miranda Charalambous

Front Page image: Maria Lassnig, June 1983, Photograph Courtesy of Kurt-Michael Westermann, Maria Lassnig Foundation